{"id":36647,"date":"2016-06-30T07:38:58","date_gmt":"2016-06-30T12:38:58","guid":{"rendered":"https:\/\/centrourbano.com\/?p=36647"},"modified":"2016-06-29T14:52:01","modified_gmt":"2016-06-29T19:52:01","slug":"inah-rehabilitara-la-escultura-caballito","status":"publish","type":"post","link":"https:\/\/centrourbano.com\/revista\/arquitectura-2\/inah-rehabilitara-la-escultura-caballito\/","title":{"rendered":"INAH rehabilitar\u00e1 la escultura \u201cEl Caballito\u201d"},"content":{"rendered":"

La obra de Manuel Tols\u00e1 representa un monumento hist\u00f3rico cuya significaci\u00f3n cultural y art\u00edstica exige abordar su conservaci\u00f3n de manera rigurosa
\n<\/em><\/p>\n

La Secretar\u00eda de Cultura del Gobierno Federal, a trav\u00e9s del Instituto Nacional de Antropolog\u00eda e Historia (INAH), anunci\u00f3 que se har\u00e1 cargo de la restauraci\u00f3n de la Escultura Ecuestre de Carlos IV y su Pedestal, mejor conocida como \u201cEl Caballito\u201d, misma que fue da\u00f1ada durante un trabajo de limpieza y mantenimiento.<\/p>\n

Los trabajos de Diagn\u00f3stico e Intervenci\u00f3n se desarrollar\u00e1n en conjunto con el Gobierno de la Ciudad de M\u00e9xico, por medio del Fideicomiso Centro Hist\u00f3rico, y con la participaci\u00f3n de la Direcci\u00f3n General de Sitios y Monumentos del Patrimonio Cultural de la Secretar\u00eda de Cultura.<\/p>\n

La escultura de Manuel Tols\u00e1 fue inaugurada en 1803, y representa un monumento hist\u00f3rico cuya significaci\u00f3n cultural y art\u00edstica exige abordar su problem\u00e1tica de conservaci\u00f3n de manera rigurosa.<\/p>\n\"INAH<\/a>\n

Los trabajos para su restauraci\u00f3n estar\u00e1n conducidos por la Coordinaci\u00f3n Nacional de Conservaci\u00f3n del Patrimonio Cultural (CNCPC), bajo la batuta de la restauradora Liliana Giorguli, y ser\u00e1n acompa\u00f1ados por la UNAM, la UAM e instituciones de car\u00e1cter internacional, con quienes se mantendr\u00e1 di\u00e1logo constante.<\/p>\n

Al respecto, la restauradora Liliana Giorguli, subray\u00f3 que debido a la importancia hist\u00f3rica que representa este monumento, el proyecto integral de intervenci\u00f3n se desarrollar\u00e1 en dos etapas: <\/p>\n

La primera, entre julio y septiembre del presente a\u00f1o, estar\u00e1 enfocada a elaborar el diagn\u00f3stico por medio de la caracterizaci\u00f3n de los materiales constitutivos que conforman la obra y la determinaci\u00f3n de las alteraciones y deterioros de la escultura y su pedestal.<\/p>\n

A partir de ello, se integrar\u00e1 el proyecto ejecutivo con la opci\u00f3n m\u00e1s adecuada de conservaci\u00f3n-restauraci\u00f3n. En la segunda etapa, que iniciar\u00e1 en octubre pr\u00f3ximo, se efectuar\u00e1n las acciones de conservaci\u00f3n y restauraci\u00f3n derivadas del diagn\u00f3stico y que se establecer\u00e1n en el proyecto.<\/p>\n

El equipo interdisciplinario est\u00e1 conformado por especialistas del INAH, adscritos principalmente a la Coordinaci\u00f3n Nacional de Conservaci\u00f3n del Patrimonio Cultural, a la Coordinaci\u00f3n Nacional de Monumentos Hist\u00f3ricos y a la Escuela Nacional de Conservaci\u00f3n Restauraci\u00f3n y Museograf\u00eda, Manuel del Castillo Negrete.<\/p>\n

Ellos se encargar\u00e1n de trabajar en la estabilizaci\u00f3n material y la recuperaci\u00f3n de los valores est\u00e9ticos y la legibilidad del monumento.<\/p>\n

Adem\u00e1s, participar\u00e1n expertos de la UNAM y de la UAM Azcapotzalco, y se tendr\u00e1 la opini\u00f3n de consultores de Italia, Espa\u00f1a y Estados Unidos, entre otros, con quienes se abrir\u00e1 una mesa de comunicaci\u00f3n y contacto regular, por medio de videoconferencia, para sostener una retroalimentaci\u00f3n acad\u00e9mica.<\/p>\n

Durante los primeros d\u00edas, el monumento ser\u00e1 liberado del andamiaje y mallas que lo han resguardado hasta este momento, para proceder a un registro fotogr\u00e1fico detallado.<\/p>\n\"INAH<\/a>\n

Posterior a estas acciones, se instalar\u00e1 el andamiaje profesional (estructura multidireccional, plataformas de trabajo, mallas de protecci\u00f3n y techumbre) requerido para el desarrollo de los trabajos. <\/p>\n

Cabe destacar que la entrega oficial de la pieza por parte del Fideicomiso Centro Hist\u00f3rico se efectu\u00f3 en las instalaciones del Museo Nacional de Arte (Munal), el pasado martes.<\/p>\n

Dicha escultura fue recibida oficialmente por la directora general del INAH, Teresa Franco, quien resalt\u00f3 la enorme responsabilidad que representa recuperar la obra elaborada por Manuel Tols\u00e1, de valor excepcional.<\/p>\n

En ese sentido, se comprometi\u00f3 a que el instituto trabajar\u00e1 con el mayor respeto al monumento hist\u00f3rico y art\u00edstico, para lo cual se documentar\u00e1n todos los pasos de intervenci\u00f3n.<\/p>\n

Asimismo, anunci\u00f3 que el proceso ser\u00e1 susceptible de constante transmisi\u00f3n al p\u00fablico interesado en el destino de la escultura, de modo que se podr\u00e1 dar seguimiento permanente a lo que acontezca durante el proceso de recuperaci\u00f3n de la misma.<\/p>\n","protected":false},"excerpt":{"rendered":"

La obra de Manuel Tols\u00e1 representa un monumento hist\u00f3rico cuya significaci\u00f3n cultural y art\u00edstica exige abordar su conservaci\u00f3n de manera rigurosa<\/p>\n","protected":false},"author":9,"featured_media":36649,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[81],"tags":[8177,1205,671,4500],"class_list":["post-36647","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arquitectura-2","tag-el-caballito","tag-escultura","tag-inah","tag-manuel-tolsa"],"yoast_head":"\nINAH rehabilitar\u00e1 la escultura \u201cEl Caballito\u201d<\/title>\n<meta name=\"description\" content=\"La obra de Manuel Tols\u00e1 representa un monumento 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